这部(bù(📸) )电影(🧞)以著名作家(jiā(🏆) )兼记者Mintu Gurusariya的自(✔)传(chuán )Dakkuan da Munda为(🛩)基础。当他(tā(🌁) )是一名(🥠)年轻的(de )卡巴(😪)(bā )迪球(🆘)员时(shí )，Mintu成(ché(⏮)ng )为吸毒成瘾者(zhě )。接(♊)触毒品也将(jiāng )他引(🍢)入犯罪市(shì )场。但今(📗)天，他成了年轻人(ré(🏚)n )及其家人的灵(líng )感(🏛)，因为他设(shè )法(🎑)摆(bǎ(📔)i )脱了他的束缚(🌬)(fù )，打(🐉)破了他与毒(dú(🛳) )品和(💩)犯罪的关(guān )系(🙌)。 During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. A young couple picks the wrong hideout while trying to elude the police. When Max, a down on his luck strip club owner, has his life and livelihood threatened by local gangsters, he turns to his wife's connections for help and hires a hitman to solve the problem once and for all. But before long, Max is blinded by his newfound power and his family finds him spinning off the rails as the body count piles up. 被誉(🌴)为“二十一世纪(🔪)大(dà(💧) )师舞(wǔ )作”的阿(🎣)(ā )库(🥨)·汉姆版《吉赛(🚫)(sài )尔》，由英国(🏜)国(guó )家(💲)芭蕾舞团首(🔡)(shǒu )演于(♟)2016年。演出(chū )收(🔶)获了媒(🛸)体和(hé )评论(🥋)(lùn )的一致认(rèn )可，《独(🧖)立报》、《每日电讯报(👩)》和《舞台报》五星好评(🦎)，《泰晤士报》和(hé )《卫报(🕚)》也给(gěi )出四(sì )星推(⛔)荐。作品(pǐn )拿下(👷)了当(👛)年的(de )奥利弗奖(🚧)杰出(📧)成(chéng )就奖，阿库(🤚)·汉(🐾)姆也凭此获(huò(🍠) )得了(🐀)英国国家(jiā )舞(🔩)蹈(dǎ(👃)o )奖最佳编(biān )舞(😶)奖(jiǎ(🐾)ng )。被誉为“二(èr )十(💸)一世纪大师(🗽)舞(wǔ )作(📝)”的阿库·汉(🍔)姆版《吉(😑)赛(sài )尔》，由英(🏊)国(guó )国(👨)家(jiā )芭蕾舞(🙈)团(tuán )首演(yǎn )于2016年。演(🖇)出收(shōu )获了媒体和(🏃)评论的一致认可，《独(😄)立报》、《每日电讯报(🌩)(bào )》和《舞台报(bào )》五(wǔ(🔗) )星好评，《泰(tài )晤(🌫)士报(🗺)》和《卫报》也给出(🥈)四(sì(🛳) )星推荐。作品(pǐ(➖)n )拿下(🕗)了当年的(de )奥利(⌛)弗奖(🍋)杰出(chū )成就(jiù(🛏) )奖，阿(👋)库(kù )·汉(hàn )姆(👆)也凭此获得(🐮)(dé )了英(🔛)国国家舞蹈(🐾)(dǎo )奖最(〽)佳编舞奖(jiǎ(🐢)ng )。 藝術家(🦒)自古(gǔ )皆寂(💴)寞或許(😸)是(shì )境界(jiè(❓) )，人到中(zhōng )年萬(wàn )事(🔡)憂則是(shì )現實(shí )。在(👉)畫室洋洋灑灑呈現(💁)自由雄(xióng )風的裸男(🚃)畫作(zuò )令他一舉成(👪)名(míng )，在家面對(♈)前(qiá(🥖)n )妻懷(huái )着新歡(👲)骨(gǔ(❕) )肉、與女兒相(🛵)處尷(💟)(gān )尬卻令他一(👡)籌莫(🈸)(mò )展。貝蒙特的(⏺)(de )寂寞(🌡)，在於如(rú )何在(💴)著名畫家(jiā(⛩) )與單(dā(❕)n )親爸爸雙(shuā(😫)ng )重身(shē(🙃)n )份、藝術創(🛣)作(zuò )與(🚓)家庭生活之(🍸)間(jiān )取得平衡。維(wé(🥪)i )羅（《電影就(jiù )在街(🧤)角》，35 屆(jiè )）找(zhǎo )來合(🍃)作多(duō )年的(de )編劇兼(🌳)美(měi )指好(hǎo )友對號(🗄)入座，還原藝術家有(🍩)血(xuè )有肉的矛(🥡)盾本(🖤)(běn )性，在出世與(🚮)(yǔ )入(🤡)世的兩難外(wà(👬)i )，毋(wú(🚚) )忘點點超(chāo )現(Ⓜ)實(shí(🛌) )的幽默。 Joy Holbrook is an intuitive market researcher in DC who has captured the attention of the account's CEO and is about to get a sweet promotion, just in time for the holidays. She receives an urgent phone call from home and she rushes back to Crystal Falls, NC to help her Aunt recover from surgery and is reunited with her former crush, Ben. To keep her Aunt focused on healing, Joy volunteers to take Ruby's place with the town's legendary baking competition, the "Cookie Crawl," much to the amusement of Ben who knows Joy has absolutely no idea of the Herculean task before her. Though Joy initially refuses Ben's attempts to "co-captain," she begins to soften and let him in, all the while remembering that there truly is no place like home.