20世(shì )纪福克斯(😢)最近(🖌)买下了(🈚)Alma Katsu下部(bù )小(xiǎo )说《饥饿(❓)》（The Hunger）的电影(💴)版(bǎn )权(quán )，这部小说(🍋)以《行尸走肉(🐪)(ròu )》的风格叙述了北(🤜)美历史上(shà(🔚)ng )最(zuì )恐(🈯)怖的一段“食人”历史(💯)(shǐ )。 银(💸)行(háng )经(🎽)理雅各布(弗(🏙)兰克·(🔎)格(gé(🚋) )里罗(luó(🔞) )饰)的同事被暴徒夺(🦓)去(qù )生命，而(🏻)(ér )他将和警察(布鲁(🎩)斯(sī )·威利(🔧)(lì )斯(sī(👗) )饰)联手制服(🚦)凶手。 故事发(🦁)(fā )生(shē(💺)ng )在2045年，虚拟现实技术(🥛)已经(🚷)(jīng )渗(shè(🍑)n )透到了人类生活的(🔰)每一个(gè )角(🌃)(jiǎo )落。詹姆斯哈利迪(🕎)（马克(kè )·(📟)里朗斯 Mark Rylance 饰）一手建(🥊)造了名(míng )为(🔭)(wéi )“绿洲(🔁)”的虚拟现实游戏(xì(👟) )世(shì(👣) )界，临终(🐋)前，他宣布自(🙇)己(jǐ )在(🤽)(zài )游(🛰)戏(xì )中(🛑)设置了一个彩蛋，找(🏕)(zhǎo )到这(zhè )枚(👢)彩蛋的人即可成为(😚)(wéi )绿洲的(de )继(💈)(jì )承人(👁)。要找到这枚(🦍)(méi )彩蛋，必(bì(💎) )须先获(💥)得三把钥匙(shí )，而寻(🤵)(xún )找(⏰)(zhǎo )钥匙(🤝)的线索就隐藏在詹(🙉)姆(mǔ )斯(sī )的(🦂)过往之中。 麦子的丈(🧒)夫(fū )马(mǎ )豆(🛫)根在煤矿事故中受(👡)了伤(shāng )，完全(👕)瘫痪不(📪)能治愈，由此(cǐ )引(yǐ(🐥)n )发出(📡)麦子跟(🏕)马豆根和矿主(zhǔ )老(♐)(lǎo )于(🗝)之间充(🔥)满悬疑色彩的一(yī(📮) )场(chǎng )人性(xì(👍)ng )较量，麦子用她的坚(🧗)(jiān )贞(zhēn )和执(🐑)(zhí )着发(🤷)现了美丽谎(🎛)言背(bèi )后的(🈹)真(zhēn )相(😽)(xiàng )，她对未来的生活(🍐)(huó )也(😋)不知(zhī(🐔) )会(huì )做出怎样的选(😞)择。 Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry. A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting. Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again? ユミは(🔩)夫と娘の３人暮ら(👧)し。近(jìn )々引(🏓)っ越しを考えてい(🚩)る。ユミは娘(🌟)のレイ(🍛)ナが時折うわ言を(🈲)発す(🐓)ること(👶)が、少々気(qì )にか(🏑)かっ(🆓)ていた(🚍)。転居の報(bào )告も兼(🎛)ねて友人ヒ(📒)ロミと久(jiǔ )々に再(🚊)会するユミ(⏸)。話題(tí(🔃) )はいつしか(🔎)「あの(🖊)日」(🛎)のこと(🌴)に。「私たちが埋め(👲)た時(😪)(shí )、本(🐟)当(dāng )に死んでたの(👄)かな？」。ユ(🤠)ミは「あの日」の(🤒)ことを清(qī(🕓)ng )算(suàn )すべく、サエ(🕺)、アコにも(👮)再(zài )会(🦂)を決意し、廃墟の(🎮)よう(🎫)な家に(🚾)一人で住むサエに(🧤)会(huì(📕) )いに行(🎵)く。サエは、見知ら(🚴)ぬ少女が現(♑)れて娘だと言って(🧖)聞かず、し(📼)ばらく(🛣)一緒に暮(mù(💎) )らして(🏥)いた(🏓)が死ん(🤣)だこと、そして少(😲)女は(👎)死んだ(🚕)ままその家(jiā )の３(🥋)階に寝かさ(📟)れているというこ(🌵)とを話し出(🙄)す。(C)「黄(huáng )泉(quán )がえ(🌴)る少女」製(🚳)作委員(📋)会(huì )